Harvey Kubernik 2002 interview with bassist of the Rolling Stones
C 2017 Harvey Kubernik
The Quiet One, an authorized documentary about former Rolling Stones’ bassist Bill Wyman, has been acquired by Sundance Selects for the movie’s North American rights.
Oliver Murray is the director. The film in production is a collaboration with the Rolling Stones’ founding member, who was with the band
from 1962-1993. In 1997 he formed Bill Wyman’s Rhythm Kings.
“My life has been an extraordinary adventure,” Wyman said, via Deadline. “The time feels right to delve into the archive and tell my story before I croak.”
Bill Wyman, now 80, kept a daily diary, took thousands of pictures and shot hours of film footage and collected vast amounts of memorabilia. He is the author of seven books.
In 2002 I conducted a 45 minute interview with Bill at the Hotel Oceana in Santa Monica, Ca. while he was in Southern California promoting a coffee table book written with Richard Havers, Rolling With The Stones from D.K. Publishing.
Rolling With The Stones, is a definitive real deal inside story of the Rolling Stones presented and explained by one man who was in the inside looking out at us, Bill Wyman. Continue reading
By Harvey Kubernik c 2016
Fans of classic rock and soul rejoiced when the legendary concert Steve Binder-directed film T.A.M.I. Show made its DVD debut on Shout! Factory in 2009.
Now that landmark film made its Blu-ray debut, along with its long-lost—and much requested—follow-up, The Big
TNT Show, directed by Larry Peerce, on December 2, 2016, as part of the 2-disc Blu-ray set T.A.M.I. Show / The Big T.N.T. Show Collector’s Edition, from Shout! Factory. The Big T.N.T. Show was also released as a standalone DVD on the same day.
The package contains all the bonus features from the T.A.M.I. Show DVD, plus new interviews with The Big T.N.T. Show performers Petula Clark, Henry Diltz and John Sebastian. The product is mastered from a High-Definition transfer.
The Big T.N.T. Show was filmed in Hollywood on Sunset Blvd. on November 29, 1965 and stars some of the biggest acts of the day, including the Byrds, in their original line-up of Gene Clark, David Crosby, Chris Hillman, Michael Clarke, and Roger McGuinn, perform two # 1 hits, “Mr. Tambourine Man” and “Turn! Turn! Turn! (To Everything There Is A Season.”)
One of the most acclaimed rock events ever captured on film, the 1964 concert known as T.A.M.I. Show [Teenage Awards Music International] presented a lineup like no other, the Rolling Stones, James Brown, the Beach Boys, Marvin Gaye, the Miracles, the Supremes, Chuck Berry, Lesley Gore and other acts took the stage one after another rehearsed and recorded over two days and nights on October 29 and 30th on Pico Blvd. at the Santa Monica Civic Auditorium. Marshall Berle, Howard Wolf, John Landis and David Cassidy were in the audience. Continue reading
Joel Selvin book published; The Rolling Stones in Mono, ABKCO Records collection of 186 tracks to be released September 30th;
Rolling Stones set to Headline Desert Trip Coachella October 7th and 14th Dates with Bob Dylan
By Harvey Kubernik c 2016
There’s a lot of Rolling Stones’ activity scheduled for fall 2016.
For the first time ever, all mono studio recordings released by the Rolling Stones in the 1960s will be available in one unique historic collection.
On September 30 ABKCO Records will make available worldwide the vinyl and CD box sets of The Rolling Stones in Mono as well as Standard Digital, Mastered for iTunes and True HD (96k/24 bit, 192k/24 bit and DSD).
The Rolling Stones in Mono was mastered by acclaimed award winning engineer Bob Ludwig at Gateway Mastering. For the project he utilized Direct Stream Digital (DSD) transfers from the original master recordings, with a sampling rate of 2,822,400. Lacquer cutting for vinyl was performed at Abbey Road Studios by Alex Wharton and Sean Magee. All vinyl box sets will be numbered and pressed on 180-gram vinyl. The Rolling Stones in Mono project has been overseen by Teri Landi, ABKCO’s chief audio engineer.
Spanning the era between 1963 and 1969, The Rolling Stones in Mono covers the formative years of the band and also spotlights the work of Hollywood’s RCA recording studio engineer Dave Hassinger.
During this era, most rock and pop recordings were originally recorded in mono, with stereo often an afterthought, dealt with only following the completion of the original (mono) version of a given track. In short, mono reigned and this was, indeed, the case for the Rolling Stones during the period. While typical playback systems of the time were less than sophisticated, the original mono recordings, especially as heard through quality components, were of the highest audio quality and had a powerful and very direct impact. “You felt you were in the room . . . listening to exactly what went down in the studio, no frills, no nothing,” Keith Richards wrote in his autobiography, Life.
“At this point it should certainly go without saying that any mid-Sixties state-of-the-art audio was always best delivered via a single solitary speaker,” insists Stone-ager since age ten Gary Pig Gold. Continue reading
By Harvey Kubernik c 2015
The Rolling Stones will kick off their new 15-city North American stadium, Zip Code tour in San Diego on May 24 at Petco Park. Concert stops are in
Columbus, Minneapolis, Dallas, Atlanta, Orlando, Nashville, Pittsburgh, Milwaukee, Kansas City, Raleigh, Indianapolis, Detroit and Buffalo before wrapping in Quebec on July 15 at Le Festival D’Été de Québec.
“We are excited to be back in North America playing stadiums this summer! We are looking forward to being back on stage and playing your favorite songs.” – Mick Jagger
“We love being out on the road and it is great to come back to North America! I can’t wait to get back on the stage!” – Keith Richards
The tour will also coincide with the Rolling Stones re-release of Sticky Fingers on May 26 in North America, and May 25 in the rest of the world, by Universal Music.
On April 23, 1971 Sticky Fingers was commercially issued. I bought it at Wallachs Music City in Hollywood. It featured artwork by Andy Warhol with its working zip on the front cover that is recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package. Continue reading
From Dickie Doo and the Don’ts, To The Everly Brothers and The Rolling Stones, Joey Paige not only witnessed rock and roll history, he lived it.
The growing bedroom community of Santa Clarita attracts many home buyers seeking a refuge from the hustle and bustle of metropolitan Los Angeles, In doing so, they may encounter a real estate agent that’s just a bit hipper than most. Even still, in the line of duty, he maintains that professional demeanor to most who have just met him, and little do they know what a fascinating and storied life Joey Paige has actually lived.
It might even take some prodding from someone else who knows him a little better. “Oh yeah, Joey used to be in the music industry. You should ask him who he played with.” Typically the conversation starts off very modest. He’s a musician, he plays the bass guitar…He toured with the Everly Brothers at the height of their success. Wait…what did he just say?
What he doesn’t always talk about up front is his solo career, or his deal with Vee-Jay records, or the Phil Spector-penned song he recorded that Sonny Bono produced, or that Rolling Stones guitarist Brian Jones would stay with him every time he came to Los Angeles. “Oh God, did we ever have a good time,” Paige recalls his days hanging out with the Stones. “They’d come to town and we’d hit every night club that was available.” He then added casually, “Of course, sometimes we’d have to leave because they’d cause a riot just because they were there.” Continue reading