otis redding

O-T-I-S!

Otis Redding’s legacy continues and expands as the immortal singer and songwriter enjoys a visibility and retail renaissance.

By Harvey Kubernik c 2017

Redding was previously inducted into the Rock and Roll Hall of Fame, Georgia Music Hall of Fame, Songwriters Hall of Fame, and has been honored with a U.S. postage stamp.

In 2016 a mural was unveiled which reads “Try a Little Tenderness” in Madison, Wisconsin honoring Otis Redding by regional artist Henrique Nardi, with Cyla Costa and Jackson Alves. Nardi teaches graphic design and is a lecturer at the University of Wisconsin-Madison’s Art Department.

Last September at the Macon City Auditorium, Steve Cropper of Booker T. & the MG’s along with additional acts Chuck Leavell, Eddie Floyd, Robert McDuffie, St. Paul & the Broken Bones, and a Reddings Reunion with Dexter Redding, Otis Redding III and Mark Lockett performed at the An Evening of Respect Tribute Concert coinciding with what would have been Otis Redding’s 75th birthday.        Continue reading

October 21 release of Otis Redding – Live At The Whisky A Go Go: The Complete Recordings

By Harvey Kubernik c 2016

Stax Records, an imprint of Concord Bicycle Music, is pleased to announce the Friday October 21st release of Otis Redding – Live At The Whisky A Gootisredding Go: The Complete Recordings via Universal Music Canada, the country’s leading music company.

On Sunday, October 23rd, Stax Records will host a listening party at Los Angeles’ Amoeba Records, just down the same Sunset Blvd. street where Otis and Co. recorded it 50 years ago. The event will include box set giveaways, along with other Stax items like tote bags, t-shirts and vinyl Otis Redding albums.

In chronological order, this six-CD collection presents the entirety of Redding’s historic performances over three nights at the famed Sunset Strip venue.

By the spring of 1966, 24-year-old Otis Redding was a bona-fide star on the R&B and soul radio waves. The singer was enjoying the critical and commercial success of his third studio album, Otis Blue, and was watching his singles cross over to the (typically very white) pop charts.

Redding had yet to be fully embraced by a white audience, and this weekend-long gig in Hollywood–booked at a venue known more for hosting hippies, and launching bands like the Doors, the Byrds and Buffalo Springfield–was a shrewd move to introduce Redding to a new market. Continue reading