miles davis

Five Legendary 1960 Concerts (Paris, Stockholm and Copenhagen)

Officially Available For First Time in New Box Set in Latest Volume in Award-Winning Miles Davis Bootleg Series

By Harvey Kubernik c 2018

In March, Columbia/Legacy Recordings, a division of Sony Music Entertainment, released Miles Davis & John Coltrane-The Final Tour: The Bootleg Series, Vol. 6

Available in 4CD boxset and digital configurations, Miles Davis & John Coltrane-The Final Tour: The Bootleg Series, Vol. 6 brings together, for the first time in an authorized edition with state-of-the-art production, five mythic concert performances as heard by lucky audiences during the epochal Spring 1960 Jazz At The Philharmonic European Tour presented by impresario Norman Granz.

Showcasing the musical chemistry shared by Miles and Trane,   Miles Davis & John Coltrane-The Final Tour: The Bootleg Series, Vol. 6 offers five of the best recorded shows from that pivotal 1960 tour (Coltrane’s last as sideman): two shows from Paris’s L’Olympia Theater on Monday, March 21; two shows from the next night at Stockholm’s Konserthuset; and one from Copenhagen’s Tivolis Koncertsal three days later, on March 24.

The box set was produced by the multi-Grammy winning team of producers Steve Berkowitz, Michael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The set is authorized for official release by the Miles Davis Estate, the John Coltrane Estate, and Columbia Records/Legacy Recordings. Erin Davis, Cheryl Davis and Vince Wilburn, Jr. are Executive Producers.   Continue reading

MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4 SCHEDULED FOR RELEASE JULY 17 THROUGH COLUMBIA/LEGACY RECORDINGS

By Harvey Kubernik

Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition that will be MilesDaviscelebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4.

The four-CD box set, comprised of live performances by Miles’ stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland, will be the lynchpin for a 60th anniversary commemorative weekend of events at this summer’s annual Newport Jazz Festival (July 31, August 1 & 2).

Ahead of this landmark event, MILES DAVIS AT NEWPORT 1955-1975 will be available everywhere on Friday, July 17 — 60 years to the date since Davis’ breakthrough performance at Newport in 1955 — through Columbia/Legacy Recordings, a division of Sony Music Entertainment.  An interview with Newport Jazz Festival founder-impresario, George Wein, discussing his relationship with Miles Davis, can be viewed here: http://vevo.ly/GOueyx.

“This Miles box gives a history of the man’s development, 1955-1975 — from just after Bird to just after Jimi — and it’s important to have it all in one place,” reflects Dr. James Cushing, host of the weekly KCPR-FM program, Miles Ahead. Continue reading

Miles Davis’ Miles At The Fillmore

Miles Davis 1970: The Bootleg Series Vol. 3

By Harvey Kubernik c 2014

Miles Davis’ historic four-night stand at promoter Bill Graham’s legendary Fillmore East in New York City, June 17-20, 1970, is presented in its entire full-length

Miles Davis at the Fillmore

Photos Courtesy Of Sony Legacy

unedited form for the first time as Miles At The Fillmore-Miles Davis 1970: The Bootleg Series Vol. 3

The four-CD box set is available through Columbia/Legacy, a division of Sony Music Entertainment.

The long-awaited document contains over two hours of previously unissued music, including bonus tracks recorded at Fillmore West in San Francisco.

The 1970 Miles Davis band compromised Davis, Chick Corea, Keith Jarrett, Dave Holland, Jack DeJohnette, Airto Moreira, and Steve Grossman,

At one of the most crucial moments in jazz and rock history, two months after the release of Miles’ groundbreaking double-LP Bitches Brew in April 1970, he was beginning to discover – and be discovered by – the burgeoning rock audience that came of age in the late 1960s. Miles, inducted into the Rock And Roll Hall Of Fame in 2006, the only jazz artist and only solely instrumental artist ever inducted, had started listening to the funk of James Brown, Sly & the Family Stone, the Chambers Brothers, and Jimi Hendrix, not to mention the Beatles. Bitches Brew was a turning point for jazz and rock.

Promoter Bill Graham had a long history of presenting jazz artists at the Fillmores (Charles Lloyd, John Handy, and Roland Kirk among them) and Miles also carried rock audiences into the new plateau and demographic.

“The Bay area is a conglomeration of professional rejects from the rest of the world, actors, who couldn’t make it, dancers who couldn’t make it,” entrepreneur Graham underscored to me during a 1976 interview at his Mill Valley house in California. Continue reading