linda ronstadt

CLASSIC COUNTRY MUSIC

By Harvey Kubernik © 2019 

The 5 CD deluxe box set edition of COUNTRY MUSIC – A Film By Ken Burns (The Soundtrack)  (Legacy Recordings, a division of

Album Cover Courtesy of Columbia/Legacy Records

Sony Music Entertainment, in association with Universal Music Group ), which chronicled the diverse roots, evolution and stylistic diversity of 20th century American country music is the companion to the 8-part (16.5 hour) documentary which premiered during September on PBS-TV. 

The collection and television broadcast further reinforced the influence and impact of this musical genre that continues to inform pop, rock, jazz artists and Americana catalogues.       

COUNTRY MUSIC – A Film By Ken Burns (The Soundtrack) followed the 2006 2-disc DVD set of The Best of the Johnny Cash Show, hosted by Kris Kristofferson distributed by CMV/Columbia Legacy, a division of Sony BMG Music Entertainment. 

The Johnny Cash Show debuted on June 7, 1969 and ran until March 31, 1971 which exposed the Cash invited country, pop, jazz and rock artists to new ears.  Continue reading

James Taylor: The Warner Bros. Albums 1970-1976

Linda Ronsdadt 1969-1974  

Chris Darrow The Real-To-Reel

By Harvey Kubernik © 2019 

On July 19th, music journalists, record reviewers, writers, online bloggers, influencers, radio programmers and deejays started touting and

Photo Courtesy of Rhino/WMG

praising the 50th anniversary of James Taylor’s landmark Sweet Baby James album that is housed with five other Taylor titles as both 6-CD and 180-gram, 6-LP sets, as well as digitally. The Warner Bros. Albums: 1970-1976.   

Potential chroniclers and targeted consumers for this Taylor package that implements Sweet Baby James, nominated for two Grammy Awards, including Album of the Year, should know additional information and regional facts pertaining to this landmark SBJ disc, the nascent Southern California folk and country-rock genre, and Linda Ronstadt’s 1969-1974 touring and album repertoire multi-instrumentalist Chris Darrow unselfishly helped establish and develop.  

I recently glanced at James Taylor: Long Ago and Far Away, the first definitive biography of the singer-songwriter by Timothy White published in 2001. A writer and critically acclaimed author, White was editor-in-chief of Billboard magazine from 1991 until 2002. 

I was miffed that noted songwriter Chris Darrow, a co-founder in 1966 of the influential eclectic psychedelic world beat band Kaleidoscope and a contributing force in creating the 1968-1972 SoCal folk and country rock/soft rock sound in Sweet Baby James mentioned only as “a nifty fiddle player.”   Continue reading