REISSUED ON VINYL AHEAD OF 60TH ANNIVERSARY
By Harvey Kubernik © 2018
Chester Arthur Burnett, (June 10, 1910-January 10, 1976) better known to blues fans as Howlin’ Wolf, remains one of the essential
exponents of the electric blues. With a raw, booming voice and explosive guitar and harmonica styles to match, the Mississippi-bred Wolf made music that was unmatched in its primal ferocity.
In the process, he, Muddy Waters, Bo Diddley, Chuck Berry, Buddy Guy, Fontella Bass, Billy Stewart, Etta James and others helped to put the Leonard and Phil Chess owned Chess Records on the map as America’s preeminent blues label.
Now, just in time for the 60th anniversary of Moanin’ In The Moonlight’s original high-fidelity release, Geffen/UMe has made available a special vinyl edition of the mono album.
Remastered from the original flat master tape, this new edition features a high quality 150-gram black vinyl pressing housed in a printed sleeve with scans of the analog tape box and comes in a distinctive tip-on jacket reproducing the album’s distinctive original cover artwork by
Don S. Bronstein. The LP displays the 1959 liner notes from Billboard editor Paul Ackerman. Continue reading
50th Anniversary Multi-Format Releases: Super Deluxe Box Set, 1CD, 2CD Deluxe, LP, Digital, MFiT & HD
By Harvey Kubernik c 2018
The Kinks have just released a 50th anniversary special edition of one of the greatest rock albums of all time The Kinks Are The Village
Green Preservation Society on BMG.
This essential album by one of the world’s best ever bands is defined by the extraordinary catalogue of Ray Davies’ songs, driven by brother Dave Davies’ power pop guitar and became the foundation of generations of British guitar pop. The Kinks Are The Village Green Preservation Society cemented Ray Davies reputation as one of Britain’s finest songwriters of his and any generation.
“I think The Village Green Preservation Society is about the ending of a time personally for me in my life,” says Ray.
“In my imaginary village. It’s the end of our innocence, our youth. Some people are quite old but in the Village Green, you’re never allowed to grow up. I feel the project itself as part of a life cycle.”
Somewhat overlooked upon its release in November 1968, The Kinks Are The Village Green Preservation Society is now regarded as one of the best albums ever recorded.
Created in difficult circumstances by a band on the verge of disintegration and who refused to follow fashion, it is an album of timeless, perfectly crafted songs about growing up and growing old, and the decline of national culture and traditional ways. Enduring and unsurpassed, with its wit, sadness, quiet anger, regret and charm, it is generally considered the high point of The Kinks’ outstanding career and Ray Davies’ masterpiece. Continue reading