Linda Ronsdadt 1969-1974
Chris Darrow The Real-To-Reel
By Harvey Kubernik © 2019
On July 19th, music journalists, record reviewers, writers, online bloggers, influencers, radio programmers and deejays started touting and
praising the 50th anniversary of James Taylor’s landmark Sweet Baby James album that is housed with five other Taylor titles as both 6-CD and 180-gram, 6-LP sets, as well as digitally. The Warner Bros. Albums: 1970-1976.
Potential chroniclers and targeted consumers for this Taylor package that implements Sweet Baby James, nominated for two Grammy Awards, including Album of the Year, should know additional information and regional facts pertaining to this landmark SBJ disc, the nascent Southern California folk and country-rock genre, and Linda Ronstadt’s 1969-1974 touring and album repertoire multi-instrumentalist Chris Darrow unselfishly helped establish and develop.
I recently glanced at James Taylor: Long Ago and Far Away, the first definitive biography of the singer-songwriter by Timothy White published in 2001. A writer and critically acclaimed author, White was editor-in-chief of Billboard magazine from 1991 until 2002.
I was miffed that noted songwriter Chris Darrow, a co-founder in 1966 of the influential eclectic psychedelic world beat band Kaleidoscope and a contributing force in creating the 1968-1972 SoCal folk and country rock/soft rock sound in Sweet Baby James mentioned only as “a nifty fiddle player.” Continue reading