The Soul Kitchen Connection
Travis Pike’s Career Relaunch Celebrates the Fiftieth Anniversary of the 1967 Summer of Love in an Interview by Harvey Kubernik
HK: Do you think the big, Winter 2016/17 UGLY THINGS MAGAZINE publication of the career and retrospective multi-page spread on you and your music, and the clips from the 1966 movie, Feelin’ Good, now viewed as a cult classic, were game-changers? Here we are, doing another interview for Cave Hollywood, and the February 10, 2017 Forgotten Hits Newsletter contained our lengthy, in-depth interview on your perspective on the 1967 Summer of Love, which I understand is now posted on all your websites in your Online Interviews and Pictorials.
TP: Yes, especially with regard to my music. Between our Ugly Things interview, and the positive Mike Stax review of my book Odd Tales and Wonders 1964-1974 A Decade of Performance, and my CD catalog, I’ve been rediscovered by some of my old fans, and I’m attracting new ones here, in Canada, Australia, Europe and the U.K. I never imagined that the Feelin’ Good music sequences I posted on YouTube would become so popular. In the UK, State Records is releasing “Watch Out Woman” and “The Way That I Need You,” the two songs I sang on the esplanade on a vinyl 45 in early July, and UK DeeJay Rob Bailey has included “If I Didn’t Love You Girl” in his latest compilation album, and will be releasing a vinyl 45 of it and “The Likes of You” later this summer. Continue reading
ELTON JOHN IS COMMEMORATED AS THE FIRST EVER WORLDWIDE RECORD STORE DAY LEGEND AND WILL RELEASE HIS LIVE ALBUM 17.11.70+ ON RECORD STORE DAY, APRIL 22, 2017, THE TENTH ANNIVERSARY OF RECORD STORE DAY; EXPANDED ALBUM 2 LP 180 GM VINYL WITH 6 PREVIOUSLY UNRELEASED TRACKS
By Harvey Kubernik c 2017
In November 1970, Elton John performed an intimate concert at A&R Studios in New York, recorded for WABC FM. In front of 125 people,
Elton played in his then three- piece line up of himself, Dee Murray on bass and Nigel Olsson on drums. Intended for broadcast only, its pristine quality – engineered by the legendary Phil Ramone (the ‘R’ in A&R Studios) – meant that the recording of the performance became a fast- selling bootleg. Sales were so swift that it had to be rush-released as 17.11.70 on DJM Records in April 1971, capturing six of the concert’s tracks on a single album.
However, 17.11.70 often seemed a footnote in Elton’s history, overlooked in contrast to his invincible run of studio albums (and he was productive – this would be his fourth album in two years).
17.11.70 is a very revealing artifact: this is the Elton that America fell in love with at the start of their long affair; it offers pure, stripped back performances of those off-kilter, beautiful songs written with Bernie Taupin.
The album was originally released on May 10, 1971 and entered the Billboard album charts on May 29, peaking at No 11. Elton was the first artist since the Beatles to have four albums charting simultaneously in Billboard’s top 100 albums. Continue reading
Robbie Robertson Testimony Autobiography and Anthology Album; The Last Waltz 40th Anniversary Edition
By Harvey Kubernik c 2017
Robbie Robertson’s contributions to popular music have made him one of the most renowned songwriters and guitarists of his time. In
Canada he was made an Officer of the Order of Canada.
In the 1960s, Robertson achieved worldwide fame and acclaim as a co-founder of the Band, laying a strong foundation for his broad range of five solo albums since the Band’s disbandment in 1976. In 2017 Robbie is working on a new album for projected 2018 retail release.
In his captivating memoir, Testimony, published by Crown Archetype in November, 2016, written over five years of reflection, Robbie Robertson employs his unique storyteller’s voice to explore the trajectory that led him to some of the most pivotal moments in music history.
Robertson was born in Toronto, Ontario, in 1943. His book recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at 16 to the Mississippi Delta, the fountainhead of American music; the wild early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire “going electric” with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of the Band and the forging of their unique sound, culminating with history’s most famous farewell concert, brought to life for all time in director Martin Scorsese’s acclaimed documentary and the Band’s timeless concert album, The Last Waltz, filmed and recorded in 1976. Continue reading
Harvey Kubernik 2002 interview with bassist of the Rolling Stones
C 2017 Harvey Kubernik
The Quiet One, an authorized documentary about former Rolling Stones’ bassist Bill Wyman, has been acquired by Sundance Selects for the movie’s North American rights.
Oliver Murray is the director. The film in production is a collaboration with the Rolling Stones’ founding member, who was with the band
from 1962-1993. In 1997 he formed Bill Wyman’s Rhythm Kings.
“My life has been an extraordinary adventure,” Wyman said, via Deadline. “The time feels right to delve into the archive and tell my story before I croak.”
Bill Wyman, now 80, kept a daily diary, took thousands of pictures and shot hours of film footage and collected vast amounts of memorabilia. He is the author of seven books.
In 2002 I conducted a 45 minute interview with Bill at the Hotel Oceana in Santa Monica, Ca. while he was in Southern California promoting a coffee table book written with Richard Havers, Rolling With The Stones from D.K. Publishing.
Rolling With The Stones, is a definitive real deal inside story of the Rolling Stones presented and explained by one man who was in the inside looking out at us, Bill Wyman. Continue reading
By Harvey Kubernik c 2017
The Kinks-The Mono Collection, the first 10 albums on vinyl by the Kinks in glorious mono is now out, via BMG,
including the previously out of print in the U.S. mono mix of Live At Kelvin Hall.
The stellar product also includes the bonus double LP compilation The Kinks’ (aka ‘The Black Album) along with a lavish hardcover 48-page book including never-before-seen photos and new interviews with Ray Davies, Dave Davies and Mick Avory.
With the recent renewed interest in analog recordings in the vinyl format, these essential Kinks albums have been collected together, as their original vintage 1960s equivalents continue to command major sums on the collectors’ market. From the real-time invention of the punk and heavy metal riff on “You Really Got Me,” “All Day And All of The Night” and “I Need You,” the melodic mellotron swirls throughout “Autumn Almanac” and “Days” to the bold brass characterizing “Victoria” and “Shangri-La,” the full spectrum of The Kinks In Mono is here to be appreciated and enjoyed anew.
Brash, loud, quirky, reflective – are just some of the opposing adjectives that have been applied to The Kinks. While hailed as one of the great British singles bands of the 1960s, the superlative run of albums they released during those years chart a fascinating career trajectory – from young, white London boys emulating black Chicago R&B on their debut through to ambitious thematic works like The Village Green Preservation Society and Arthur that anticipated Ray Davies’ ambitions in film and theatre. Continue reading