REISSUED ON VINYL LP
By Harvey Kubernik c 2018
Elaine Brown, the rare, self-titled album from the first and only female Chair of the Black Panther Party, has just been reissued in late
September by Motown/UMe.
First issued in 1973 and long out of print, the LP includes the single “Until We’re Free.” The new 150-gram vinyl edition is presented in a tip-on jacket with replicated original artwork.
Purchase Elaine Brown vinyl LP: https://UMe.lnk.to/ElaineBrownPR
A Motown/Ume press release provided background on Brown’s 1973 endeavor.
“The album was the second for Brown, who wrote all nine songs. It was produced by Motown’s Freddie Perren and Fonce Mizell, who were then one-half of The Corporation™ production team that had created a string of hits for the Jackson 5; Brown’s LP was one of their first projects separate from the group. Elaine Brown was arranged and conducted by Horace Tapscott, a pianist, composer and founder of the Pan-Afrikan Peoples Arkestra. The album art was created by Emory Douglas, the Black Panther Party’s Minister of Culture.” Continue reading
FRANK SINATRA SINGS FOR ONLY THE LONELY
EXPANDED 60TH ANNIVERSARY EDITION
By Harvey Kubernik c 2018
Frank Sinatra’s intimate 1958 opus, Frank Sinatra Sings For Only The Lonely, has been newly mixed in stereo for an expanded
60th Anniversary Edition to be released worldwide on October 19 by Capitol/UMe and Frank Sinatra Enterprises.
“Only The Lonely’ (60thAnniversary Edition) will be released in a Deluxe 2CD package, in 180-gram 2LP vinyl and 1CD configurations, and in two digital album versions. Starting tomorrow, “Angel Eyes” (2018 Stereo Mix) will be available for streaming and for immediate download with digital album preorder.
‘Only The Lonely’ (60th Anniversary Edition)’s 2CD Deluxe package pairs the album’s remastered original 1958 mono mix with a new 2018 stereo mix by Larry Walsh. Four bonus tracks from the mono session recordings are also featured, including studio takes making their release debuts: “Angel Eyes” (alternate session takes – May 5, 1958) and “Lush Life” (session takes – May 29, 1958). The album’s original mono mix makes its digital release debut in an expanded digital collection pairing the remastered album mix with the four bonus session recordings, while the 1CD, 2LP vinyl, and standard digital album configurations feature the album’s 2018 stereo mix. The new edition’s audio was mastered by Ron McMaster at Capitol Studios. Continue reading
AVAILABLE NOW VIA UME
By Harvey Kubernik c 2018
Record label UMe this summer has released the soundtrack to the official Mick Ronson documentary, Beside Bowie: The Mick Ronson
Story, with tracks by Mick Ronson, David Bowie, Ian Hunter, Michael Chapman, Joe Elliott (Def Leppard), Elton John and Mike Garson.
This is the first official career retrospective compilation for the guitar virtuoso Mick Ronson. The compilation includes key selections from Ronson’s solo records, as well as material from noted collaborations with David Bowie, Elton John, Ian Hunter, Queen and Michael Chapman plus previously unreleased and unheard songs.
The soundtrack is available on CD, Digital & heavy-weight 180-gram vinyl and includes extensive essay and liner notes. The soundtrack accompanies the critically acclaimed film Beside Bowie: The Mick Ronson Story also available on DVD and Blu-Ray. Continue reading
By Harvey Kubernik c 2015
Rubber Soul was the Beatles’ first release not to feature their name on the album’s cover, an uncommon strategy in late 1965. The cover photo was by Robert Freeman, snapped in John Lennon’s garden in Weybridge.
I bought a British import copy of Rubber Soul in California on Hollywood Blvd. around the corner from the Capitol Records tower building at the fabled Lewin Record Paradise. I then purchased a stereo one at Thrifty’s Drugs on Wilshire Blvd. in Los Angeles. I took it to a party in downtown L.A. and watched my brand new LP get tossed into traffic on La Brea Ave., by a couple of soul brother party-goers irate about “Beatles stealin’ and took from us again.” This is a few months after the summer 1965 Watts riots.
I stated my case to some angry Bubble Up drinkers that in a newspaper, at a U.S. press conference, Paul McCartney, a devoted music fan, lauded the “colored music” and the sounds of the Motown label.
Our record hop got racial and facial. Someone hurled a pack of Kool Menthol cigarettes at me. So I hitch-hiked home, from the corner of Vermont and Jefferson at 11:30 at night. But, not after a quick spin the bottle sympathy session with a couple of girls who were in my junior high school homeroom. Then they didn’t speak to me the rest of the semester. Continue reading
A Re-Imagining Of Some Of Your Favorite 80’s Alternative Songs, And More
It goes without saying that The Bangles were one of the best known music
acts of the 1980’s. The all-girl group rose from relative obscurity thanks in part to the “Mayor of the Sunset Strip,” Rodney Bingenheimer who broke many acts on his popular Rodney On The ROQ radio show on Los Angeles radio station 106.7 KROQ. Guitarist and vocalist Sunsannah Hoffs’ inimitable singing style and vocal range helped propel the group to stardom with songs like Hero Takes a Fall, Eternal Flame, and of course who can forget the ever present reminder of the start of our workweek, Manic Monday.
The inevitability of Hoffs making a third album with singer/songwriter/producer Matthew Sweet has landed them both squarely in that decade of Ronald Reagan, Rubik’s Cube, Mary Lou Rettin, and some of the best New Wave/Alternative music ever. Sweet, no stranger to alternative music fans, has been on the scene since the mid 80’s, hitting his stride in the 90’s with songs like Girlfriend making the rounds on alternative radio stations worldwide. He has since gone on to produce music, including The Bangles’ latest release, Sweetheart of the Sun.
While Under The Covers, Volume 1 & Volume 2 gave the pair a turn their own opportunity to rework songs from the 1960’s and 1970’s respectively, Volume 3 takes on the 80’s with style and imagination. Continue reading