Harvey Kubernik

Neil Young Songs For Judy Released

By Harvey Kubernik © 2018   

Neil Young has just issued Songs For Judy on CD and digitally on November 30. A vinyl edition is out December 14.

Photo Courtesy of Warner Bros./Shakey Pictures Records

Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs for Judy is available in hi-res at NYA, Neil Young Archives.com.

Songs For Judy houses live acoustic performances culled from Neil’s November 1976 solo tour and features twenty-two songs recorded at various cities along the tour.  Writer and Cameron Crowe and photographer Joel Bernstein curated this collection.

This song cycle of live recordings is particularly unique. Young had spent much of the year traveling around the world on tour with Crazy Horse.

When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, “No One Seems To Know” would not see the light of day until now and it remains unreleased in any other iteration.

The raw versions of the tracks found on Songs For Judy find Young allowing the songs to breath and to find their own shape when performed in a solo performance. Continue reading

Travis Pike: Renaissance Man Revisited

Long overlooked, musician, songwriter and now, podcaster, Travis Pike has taken a unique career journey that’s worth checking out.

BY HARVEY KUBERNIK ©  2018

I have worked with Travis Pike on my books chronicling The Beatles and The Doors, and he oversaw the layout and design of Inside Cave Hollywood. The Harvey Kubernik Music InnerViews and InterViews Collection VOL 1, published by Cave Hollywood.

Now he’s published 1964 – 1974:  A Decade of Odd Tales and Wonders, a revised and much expanded memoir of the first ten years of his 

prodigious and prolific career in music.  Having pulled together the Afterword to this new book, I can tell you it’s a 

deeper exploration of that era, with many more visuals and artifacts — and I should know.  I pulled together the Introduction to his 2013 Odd Tales and Wonders:  A Decade of Performance.

And in America, he’s doing podcasts for Goldmine magazine, Open Mynd Collectibles internet radio, and being featured in articles and reviews on Forgotten Hits and Cave Hollywood, and in Goldmine, Ugly Things and now in Record Collector News.

Travis, in complete control of his legacy and catalog, recording and releasing albums of audience favorites from 50 years ago, now has record labels contacting him to license and lease his master recordings!  

Travis’ first movie title song was “Demo Derby,” arranged and produced by Arthur Korb at Ace Recording Studios in Boston, and recorded by The Rondels.  That 28-minute action featurette opened in 1964 with Robin and the Seven Hoods and Viva Las Vegas, before being booked as the “second feature” that played on thousands of screens across the U.S.A. with The Beatles Hard Day’s Night. Continue reading

VERVE RECORDS TO PAY TRIBUTE TO ITS LEGENDARY FOUNDER NORMAN GRANZ AND HIS CENTENNIAL

APTLY- TITLED ALL-STAR FOUR- DISC BOX SET THE FOUNDER OUT ON DECEMBER 7TH VIA VERVE/UME    

BY HARVEY KUBERNIK c 2018

In jazz circles, few names command more respect than Norman Granz. Although he wasn’t a musician, Granz (1918-2001) was as

Courtesy of Verve/UMe

responsible as any individual for popularizing jazz and promoting the careers of many of the genre’s greatest artists.

Granz’s incredible half-century career first took off with his creation of the groundbreaking Jazz at the Philharmonic concert series. But Granz was equally influential for the series of record labels that he launched in the 1940s and 1950s: Clef, Norgran and Verve. 

Those companies became home to many of jazz’s most important and influential artists. And, unlike many of his contemporaries, Granz combined his love for the music with a passion for social justice, championing African-American musicians at a time when those musicians were often exploited and disrespected.

Now, in honor of the hundredth anniversary of Norman Granz’s birth, Verve/UMe has assembled The Foundera four-CD/digital box set celebrating his remarkable life and career. The historic package features a massive chronological assortment of music spanning Granz’s remarkable career and featuring music by most of the great musicians he recorded. Continue reading

ELECTRIC BLUES ICON HOWLIN’ WOLF’S LEGENDARY 1959 DEBUT LP MOANIN’ IN THE MOONLIGHT

REISSUED ON VINYL AHEAD OF 60TH ANNIVERSARY

 By Harvey Kubernik ©  2018

Chester Arthur Burnett, (June 10, 1910-January 10, 1976) better known to blues fans as Howlin’ Wolf, remains one of the essential

Courtesy of Geffen/UMe

exponents of the electric blues. With a raw, booming voice and explosive guitar and harmonica styles to match, the Mississippi-bred Wolf made music that was unmatched in its primal ferocity.

In the process, he, Muddy Waters, Bo Diddley, Chuck Berry, Buddy Guy, Fontella Bass, Billy Stewart, Etta James and others helped to put the Leonard and Phil Chess owned Chess Records on the map as America’s preeminent blues label.

Now, just in time for the 60th anniversary of Moanin’ In The Moonlight’s original high-fidelity release, Geffen/UMe has made available a special vinyl edition of the mono album. 

Remastered from the original flat master tape, this new edition features a high quality 150-gram black vinyl pressing housed in a printed sleeve with scans of the analog tape box and comes in a distinctive tip-on jacket reproducing the album’s distinctive original cover artwork by

Don S. Bronstein. The LP displays the 1959 liner notes from Billboard editor Paul Ackerman.    Continue reading

ROLLING STONES BEGGARS BANQUET 50TH ANNIVERSARY EDITION

AVAILABLE ON SUPER AUDIO CD DECEMBER 7 FROM ABKCO RECORDS;

ROLLING STONES ANNOUNCE SPRING 2019 US TOUR

By Harvey Kubernik © 2018

On December 7, ABKCO Records will release The Rolling Stones Beggars Banquet (50th Anniversary Edition) on limited edition hybrid Super Audio CD. In comes on the heels of the November 16 domestic release of Beggars Banquet (50th Anniversary Edition) on limited-edition vinyl, CD and digital formats.

The SACD package itself is designed to look like a miniaturized replica of the 12” gatefold double-vinyl edition, sized to be a convenient 7” gatefold, and contain 2 hybrid SACDs, a flexi disc and expanded packaging elements exclusive to this edition. This bespoke packaging is manufactured in Japan and is of the highest quality to match the SACD audio.

Special elements of the package include: replica packshots of two Japanese 7” single picture sleeves (“Jumpin’ Jack Flash” and “Street Fighting Man”) and both versions of the Beggars Banquet sleeve art are included. This SACD set is a Japanese release, which will be imported into North America in a limited quantity.  Continue reading